SEMN 499-01 Digital Passages: Personal & Public Narratives—Syllabus/Schedule

Kalamazoo College, Fall 2017

Richard Koenig, Professor

 

Meeting Time: Tuesday and Thursday 12:10 to 2:00 PM

Meeting Place: Room 122 (and 103) of the Light Fine Arts Building

Office Hours: Tuesday 2:30 to 3:30 PM and Wednesday 1:00 to 3:00 PM (or by appointment)

Office: Light Fine Arts 203

E-mail: rkoenig@kzoo.edu

Phone: 269.337.7003

 

 

Course Description

Digital storytelling stands out for its directness of emotional expression and voice. In this course, students will help bring to life the reality of their individual experiences—past, present, and conceivable future—through digital storytelling.

 

Students will reflect on their lives prior to college as well as what theyÕve experienced while in school. They will look inward, but also outward, since students at Kalamazoo College have developed strong interests in a field of study and/or causes of social justice. We will look to see how their personal experiences have coalesced to influence their deep interest in a discipline—possibly interwoven with a practice of a being a socially constructive human being.

 

Stories will begin with personal, factual evidence that grows outward—from the specific to the general. Students then will make small pieces that relate their story using image and text or video and sound (utilizing easily accessible tools). The works may range from straight reportage to the experimental, from non-fiction to the allegorical. Their creative works will be designed primarily for, and dissemination through, social media. By imparting their story to an audience, it is hoped they will make meaningful connections between themselves and others.

 

 

Course and Content

Students will begin this course by getting acquainted with the lean efficacy of digital storytelling including websites, small videos, and podcasts. They then will move toward a bit of personal archaeology—a mining of the past where they look for small but significant ÒartifactsÓ from their lives (including meaningful college experiences). To accomplish this, they will interview each other to gather information in an objective way, mediated through a second party.

 

Students will then work to unpack the past, parsing its meaning, to see how small things along the way may have had a deep impact on them in the present. Examining their personal narratives, students will discover what has influenced them toward a life that is passionate toward an area of study and/or to a social issue.

 

To tell the story, students may choose to use straight reportage, or allegory and metaphor, extending their notions into the future. Finally, they will make digital artworks to frame their experiences, both lived and planned, for others to witness. In the end, a seed of factual history will have grown and morphed into something new to be shared.

 

Each student will create a series of small still and time-based pieces—there will be an emphasis on easy and accessible techniques rather than demanding, high-end equipment and editing. The works will be designed for dissemination on the web through social media such as web logs, and compilation sites, but could also be packaged to run at small film festivals.

 

 

Course (Capstone) Goals

Senior Capstones are the culmination of the Shared Passages Program, a thread of cross-disciplinary engagement woven through a Kalamazoo College education. As seniors, students will have fulfilled most or all of the requirements of their chosen majors, minors you have achieved depth and breadth in the liberal arts, learned through experiential opportunities, lived and studied in international and intercultural settings, and undertaken significant independent scholarship. While each of these elements of the K-Plan is potentially transformative in and of itself, making meaningful connections among them are a hallmark of a well-integrated Kalamazoo College education. Senior Capstones provide a unique opportunity for students to reflect on their K-Plan, craft a narrative of their education, and explore the relevance of the knowledge and skills theyÕve developed for their post-graduation lives.

 

As a means of providing similar educational experiences, each element of the Shared Passages Program (First-Year Seminar, Sophomore Seminar, and Senior Capstone) has common programmatic components. Thus, Senior CapstonesÉ

 

á       Draw students from various majors together through collaborative engagement with critical issues facing the world today.

á       Encourage cross-disciplinary thinking and problem solving.

á       Maximize student control of content, process, and knowledge generation.

á       Encourage students to explore connections (and disconnections) among components of their K-Plan.

á       Invite students to articulate a narrative of their education in anticipation of their lives after graduation.

 

This course aligns closely with programmatic components of the Shared Passages Senior Capstones. It begins by bringing together students from various disciplines with the aim of working with techniques of what I call Òlow-fiÓ digital storytelling. The work will be conducted in the classroom as well as in the computer lab. Along the way it will encourage rigorous reflection and the making of connections (in their education and social experiences), help develop and hone skills associated with career development (finding meaning through experience), all through a self-directed digital practice.

 

 

Attendance

Attendance is mandatory—it is crucial that you miss as few of the meetings as possible as the instruction builds upon itself. Each student may miss two classes with no penalty. Two late arrivals may be counted as one absence. After two unexcused absences your grade can be lowered at the discretion of the instructors. One must have documentation to obtain an excused absence—or have pre-arranged it with me. If you do miss a class, please contact a fellow student for notes.

 

 

Course Responsibilities and Final Grading

Merely completing the requirements for an assignment will not necessarily ensure a good evaluation for that assignment. I look at technical, formal, and conceptual aspects of your work but also the level of exploration and risk taking. Below is a breakdown of how your final grade will be determined:

 

10%      Assignment One (still image sequence)

10%      Assignment Two (audio piece)

10%      Assignment Three (video one)

10%      Midterm Journal

10%      Midterm Participation

 

10%      Assignment Four (video two)

20%      Final Project (personal narrative)

10%      Second Half Journal

10%      Second Half Participation

 

 

Class Participation

This is very different than attendance—it is in addition to it, if you like. Good participation means that one shows up on time, is prepared, and with all work completed. It means one actively and candidly contributes to discussions, while also being supportive of your peers. It means that one shows by means of facial expression and body language that one is following what is going on. It means, quite simply, that one contributes to a positive class atmosphere.

 

Along those lines, one important note about discussions during a class such as this—the classroom will be held as a safe space for candid discussion of difficult topics. We will endeavor to remain respectful and courteous to our classmates.

 

Please turn off all laptops, tablets, and phones. Do not email, text, or Facebook during structured class time.

 

 

Hardware, Lecture, and Lab Time

Our usual meeting place will be Fine Arts Room 122 (FABLAB). You will note that there are fifteen (fairly) new Apple I-Mac computers, with the very latest Adobe Creative Suite software, on which you will be working. This room is accessible to you from 7:00 A.M. throughout the day till 1:00 A.M. except for organized class times (8:30 PM to 3:30 PM Tuesdays and Thursdays). Please note—my other class meets in this room Tuesday and Thursday mornings from 8:30 to 11:30 AM. Due to this you will not be able to work in the FABLAB during that time.

 

I usually begin each class period with a PowerPoint lecture so please come on time each day. After that, there will be time for a variety of demonstrations or open lab time. To complete your work to a satisfactory level, you will have to spend time outside of class working. Do not leave things until the last minute, especially when hard copy is due—I will notice the lack of quality and grade accordingly. Look, think, and plan ahead.

 

 

Text/Readings

There are no required textbooks for this course—I will give you handouts as needed. Please see our schedule for dates of particular readings and discussion sessions. For each reading I want you to come to class with three questions or Òtalking pointsÓ two which you can refer for discussion. These notes should be entered into your journal as we go along.

 

 

Journal (20%)

You will be required to keep a digital journal while in this class. In this you can record your reading summaries for four readings, as well as ideas for your assignments and work in general. I will take a look at this at midterm and at the end of the course.

 

 

Lab Fee and Costs

You will not be charged a lab fee for this class.

 

 

Disability/Prerequisite

Any student with a disability who needs an accommodation or other assistance in this course should make an appointment to speak with me. There is no prerequisite for this class.

 

 

FABLAB—Saving Your Work

The iMac computers in the FABLAB will save your work during the term—but you will have to use the same computer (and remember to sign out). In any case, you should ideally save all of your work in at least two places as you go along. The second place beyond the computer on which you work could be a flash drive and/or in the cloud—for this you can open a free account with Dropbox.

 

I will have a group folder there so you can turn in digital files that way. At the end of the term remember to take all of our files off of the computer (one way or another), as these files will be permanently removed. Please do not eat or drink in the FABLAB.

 

 

Office Hours and College E-mail

Please feel free to meet me for any questions or concerns that you have regarding the course.

 

I check my college e-mail frequently during regular working hours—please use it to communicate with me. I will usually respond to you within 24 hours. If there are any changes to our schedule I will contact you this way—so please be sure to check your Kalamazoo College account and the course website.

 

 

 

Bibliography

 

Books

 

Interviewing for Qualitative Inquiry

A Relational Approach

Ruthellen Josselson

 

Digital Storytelling, Mediatized Stories

Self-representations in New Media

Knut Lundby, Editor

 

The New Digital Storytelling

Creating Narratives with New Media

Bryan Alexander

 

Documentary Storytelling

Creative Nonfiction on Screen

Sheila Curran Bernard

 

Digital Storytelling

Capturing Lives, Creating Community

Joe Lambert

 

Digital Storytelling in the Classroom

New Media Pathways to Literacy, Learning, and Creativity

Jason B. Ohler

 

Crafting the Personal Essay

A guide for publishing creative nonfiction

Dinty W. Moore

 

 

Articles

 

Hearing Ordinary Voices: Cultural Studies, Vernacular Creativity and Digital Storytelling

Jean Burgess - 2007

 

Mediatization or mediation?

Alternative understandings of the emergent space of digital storytelling

Nick Couldry

 

 

close window